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Mirei Shigemori had a major impact on the development of Japanese landscape architecture in the twentieth century. Active from the 1920s, he founded the Kyoto Garden Society in 1932. In 1939 he designed his own first masterpiece, the garden at the main hall of the Tôfuku-ji temple. From then on he designed 240 gardens all over Japan until his death in 1975; amongst the most famous are the Tenrai-an tea garden (1969) and the Matsuo Taisha garden (1975). The main characteristic of his gardens is that they respect tradition and, at the same time, depart from conventional paradigms by opening up to the influence of Western modernism with its own language. The first part of the book covers Shigemori’s life and factors that influenced his work. The second part contains a detailed illustration of 17 gardens. The book is published as a new and revised edition. Mirei Shigemori prägte maßgeblich die Entwicklung der japanischen Landschaftsarchitektur im 20. Jahrhundert. Seit den 1920er Jahren tätig, gründete er 1932 die Kyotoer Gartengesellschaft und publizierte 1938 das 26-bändige Werk Illustrated Book on the History of the Japanese Garden. Ein Jahr später entwarf er sein erstes eigenes Meisterwerk, den Garten bei der Haupthalle des Tôfuku-ji Tempels. Von da an gestaltete er 240 Gärten in ganz Japan bis zu seinem Tod 1975; zu den berühmtesten gehören der Teegarten Tenrai-an (1969) und der Matsuo Taisha-Garten (1975). Kennzeichen seiner Gärten ist, dass sie die Tradition achten und sich zugleich – in der Öffnung gegenüber den Einflüssen der westlichen Moderne – von dem Althergebrachten durch eine eigene Sprache lösen. Der erste Teil des Buches setzt sich mit dem Leben Shigemoris und den Einflüssen auf sein Werk auseinander. Dabei spielt auch seine Auseinandersetzung mit Ikebana und Teezeremonien eine Rolle. Der zweite Teil stellt 17 Gärten ausführlich dar. Das Buch erscheint in einer überarbeiteten Neuausgabe.

Garden. --- Japan. --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I︠A︡ponii︠a︡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihon-koku --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Япония --- اليابان --- يابان --- 日本 --- 日本国 --- 20th century. --- Japanese garden. --- Shigemori. --- garden. --- landscape. --- Jepun --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс --- Shigemori, Mirei,

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This book offers a useful and extensive account of Japan’s past discoveries and present interactions with Muslim states and societies across Asia. Bearing in mind the U.S.-led global meta-narrative of Islam spoken in tandem with security and threats, this book examines how this reconciles with Japan’s self-proclaimed “values-based” approach to diplomacy across Asia in the twenty-first century. The author considers Japan’s historic conceptualization and learning of Islam, and its acute needs for access to markets and energy from Muslim-majority states in Asia. He also argues that Japan securitizes Islam in a manner distinct from Western, Russian, or Chinese securitization today, but that Japan promotes itself as a model for human security and development across an Asia inclusive of Muslim states. Japan’s approach to Islam and Muslim societies today offers much from which other great powers can learn. B. Bryan Barber is Research Fellow at the Mohsin and Fauzia Jaffer Center for Muslim World Studies, Florida International University, USA, and Teaching Fellow at the Center for Preparatory Studies, Nazarbayev University, Kazakhstan.

Japan --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I︠A︡ponii︠a︡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihon-koku --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Япония --- اليابان --- يابان --- 日本 --- 日本国 --- Foreign relations --- International relations. --- Asia—Politics and government. --- Foreign Policy. --- Asian Politics. --- International Relations Theory. --- Coexistence --- Foreign affairs --- Foreign policy --- Global governance --- Interdependence of nations --- International affairs --- Peaceful coexistence --- World order --- National security --- Sovereignty --- World politics

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In his pioneering study, Men in Metal , Sven Saaler examines Japanese public statuary as a central site of historical memory from its beginnings in the Meiji period through the twenty-first century. Saaler shows how the elites of the modern Japanese nation-state went about constructing an iconography of national heroes to serve their agenda of instilling national (and nationalist) thinking into the masses. Based on a wide range of hitherto untapped primary sources, Saaler combines data-driven quantitative analysis and in-depth case studies to identify the categories and historical figures that dominated public space. Men in Metal also explores the agents behind this visualized form of the politics of memory and introduces historiographical controversies surrounding statue-building in modern Japan.

J3000 --- J6400 --- Japan: History -- historiography, theory, methodology and philosophy --- Japan: Art and antiquities -- sculpture --- Bronze sculpture, Japanese --- Portrait sculpture, Japanese --- Public sculpture --- Bronze sculpture --- Japan --- Civilization --- Bronze sculpture, Japanese. --- Japanese bronze sculpture --- Sculpture, Public --- Public art --- Sculpture --- Monuments --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I͡Aponii͡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān

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With the ascension of a new emperor and the dawn of the Reiwa Era, Kenneth J. Ruoff has expanded upon and updated The People's Emperor, his study of the monarchy's role as a political, societal, and cultural institution in contemporary Japan. Many Japanese continue to define the nation's identity through the imperial house, making it a window into Japan's postwar history. Ruoff begins by examining the reform of the monarchy during the U.S. occupation and then turns to its evolution since the Japanese regained the power to shape it. To understand the monarchy's function in contemporary Japan, the author analyzes issues such as the role of individual emperors in shaping the institution, the intersection of the monarchy with politics, the emperor's and the nation's responsibility for the war, nationalistic movements in support of the monarchy, and the remaking of the once-sacrosanct throne into a "people's imperial house" embedded in the postwar culture of democracy. Finally, Ruoff examines recent developments, including the abdication of Emperor Akihito and the heir crisis, which have brought to the forefront the fragility of the imperial line under the current legal system, leading to calls for reform. -- Publisher

Monarchy --- Constitutional history --- Democracy. --- Self-government --- Political science --- Equality --- Representative government and representation --- Republics --- Kingdom (Monarchy) --- Executive power --- Royalists --- History --- Democracy --- Akihito, --- Hirohito, --- Shōwa --- Yuren --- Hirohito --- 裕仁 --- 昭和天皇 --- 昭和 --- 迪宮裕仁 --- 明仁, --- Shōwa, --- Yuren, --- Japan --- Japan. --- Japon --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I͡Aponii͡ --- Japam --- Japani --- Japão --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Empire du Japon --- Nihon-koku --- Zen-Nihon --- Zenkoku --- Dainihon --- Dainippon --- Japão --- Japaner --- Kings and rulers. --- Politics and government --- Politique et gouvernement --- Since 1900

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Hayao Miyazaki's career in animation has made him famous as not only the greatest director of animated features in Japan, the man behind classics as My Neighbour Totoro (1988) and Spirited Away (2001), but also as one of the most influential animators in the world, providing inspiration for animators in Disney, Pixar, Aardman, and many other leading studios.However, the animated features directed by Miyazaki represent only a portion of his 50-year career. Hayao Miyazaki examines his earliest projects in detail, alongside the works of both Japanese and non-Japanese animators and comics artists that Miyazaki encountered throughout his early career, demonstrating how they all contributed to the familiar elements that made Miyazaki's own films respected and admired among both the Japanese and the global audience.

Animators --- Miyazaki, Hayao, --- Criticism and interpretation. --- Cartoon makers --- Animation (Cinematography) --- 宮崎駿, --- Animated films --- History and criticism. --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- Anime (Cinematography) --- Japanese animation (Cinematography) --- Japanimation (Cinematography) --- History and criticism --- 宮崎, 駿 --- Film production: technical and background skills --- Film history, theory and criticism --- Japan. --- Empire du Japon --- Nihon-koku --- Zen-Nihon --- Zenkoku --- Nippon --- Japon --- Dainihon --- Dainippon --- Nihon --- Yapan --- Japão --- Japaner --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I͡Aponii͡ --- Japam --- Japani --- Japão --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihonkoku --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yīpun --- Zhāpān